This other watercolor painting is very
special because it's full of different parts that aren't on the scale
of human vision -- I mean it's treated in very small shapes. (Pic
3) I took a photograph of each part and magnified it. As a result,
each piece became an independent work. (Pic 4) Interestingly, when
the photographs were displayed, visitors thought that each was an
independent piece and forgot that they were all from one original
painting. The purpose of this set of works is to show people that
we all confine ourselves to a certain space or certain life, forgetting
that we're closely linked with other lives. Only when we open our
hearts and take a step backward can we see the boundless sea and sky;
only when we become more tolerant of others can we see the whole world
and the entire universe.
Einstein once spoke of this concept of
"oneness in all" in one of his books. I like this text very
much and found it by chance after making this painting. So I displayed
it together with my painting. On this topic, Einstein said, "A
human being takes part in a 'whole,' which we call the 'Universe';
he stays limited in time and space. He experiences that his being,
his thoughts and his feelings are separated from the rest -- a kind
of optical illusion of his consciousness. This illusion is for us
a prison that restricts us to our own desires, and limits us to the
affection of our near relations. Our duty is to free ourselves from
this prison, by extending the circle of our compassion, so that it
embraces all life, and all of nature in her full splendor."
This painting entitled "Why are
legends, finally, all the accounts kept for fairies?" uses special
materials and mainly conveys the idea that legends and myths as we
think of them are not necessarily fictional. When we look at the painting
from the front, we can see only the patterns on the surface. But if
we look at it from a different angle, we can clearly see the golden
light particles hidden in it. That is to say, what we do not know
is not necessarily non-existent; we have to use a different method
and a different angle to see things clearly and then understand their
meaning and essence. (Pic 5)
Q: Could you please tell us how you came
to know the Supreme Master Ching Hai?
A: Since I was little, I have known
that a human being is a soul in a body, and that soul can be free
of the body. But when I was young my parents always said to me, "Don't
think about unknowable things!" Then one day I had a car accident,
which was not bad because it gave me an experience of my soul leaving
my body. Since I was very young I have been interested in spirituality
and I was told then that things would become clear to me when I grew
up. Later, I gradually discovered that the grown-ups didn't know everything;
it depends. I often experienced disappointment because people could
not provide satisfactory answers to my questions. So I told myself,
"When I grow up, I must find the Truth that is obscured by superficial
phenomena."
Then one day, at the age of twenty or
so, at a time when I was searching for answers with great enthusiasm,
I saw a shining door in the sky and felt that I was dreaming, but
I was not. I could have almost gone through the door and reached the
other side if I had wished. However, I said to myself, "No, no!
I'm not ready. It's not time yet." So I closed this door somewhere.
After that, I continued to have inner experiences. At the same time,
I started to study psychology and philosophy, trying to find a concrete
explanation for these unusual experiences. But I was very disappointed
when I failed to find it anywhere. So, I walked toward the spiritual
path step by step.
I discovered clearly that many things
could be understood only through meditation, and said to myself, "In
this world, there must be someone who can explain all this, and who
can help me and teach me meditation!" It was very essential,
not only for me, but for making it possible to help people around
me. And I knew that a true living Master should be very coherent and
positive and should only demand that I practice sincerely without
any material conditions in exchange.
Then one day, when I had a strong longing
in my heart, I suddenly saw a small advertisement in a spiritual journal
that said, "Offering the correct method of spiritual practice
for sincere Truth aspirants." I felt very strongly that this
was what I had been searching for day and night, and my inner experience
also gave me a positive affirmation. So I contacted the Paris Center,
received some texts of Master's teachings and bought one of Her books.
I felt very good after reading them. The Supreme Master Ching Hai's
teachings are very thorough and completely compatible with the teachings
of all other religions. I felt as though I had arrived at the beginning
of a path toward the Essence of Truth and that there were many treasures
waiting for me to discover on the way. After that, I made a very important
decision in my life; that is, to receive initiation from the Supreme
Master Ching Hai and practice the Quan Yin Method.
Since my initiation, I have often had
inspirations spring up during meditation. Sometimes I can even "see"
texts and "hear" the poetic rhymes and musical rhythms of
my future works, such as this one, which was created according to
an inspiration that arose during meditation. (Pic 6.) It's something
like a book inlaid in a box, with two mirrors inside and a poem of
mine sandwiched in between. The images reflected by the two mirrors
are just like human life, which often becomes entangled, and show
that this physical world is only a reflection of the true world. There
are two marks on the box, a small bullet and a rose, symbolizing our
worlds of war and peace respectively.
There's a little drawing inside of a
child riding with all his concentration on a galloping bull, without
any reins! It implies that if we don't find our true Self, we'll hate
others. This may be hard for people to understand. In other words,
if we find our true Self, our life will be balanced. On the other
side, there is a brilliant light beam upon the words: "This colossal
infinite golden light beam, do you still remember it?" We originally
came from the Light, but we have forgotten it. However, we'll remember
it again one day. This is a long verse written to a human being by
his inner "Self," who also is the universal real Self, asking
himself if he still remembers this familiar golden light. Many people
have been moved to tears after reading it and have come to discuss
spiritual matters with me.
Q: Are your
family members all initiated?
A: My husband and two sons became
initiated very naturally. Only my daughter is not yet initiated because
she is too young. But she's waiting, impatiently! Our life is very
peaceful and natural. Many things have become smoother and miracles
have happened. Of course, I give thanks to the Supreme Master Ching
Hai for Her endeavor to help numerous people!
Notes:
Poet and artist Anne-Claire Despretz's recent awards include:
*One of 90 winners (from among fifteen
thousand candidates) at the 1996 "Contemporary Artistic Exhibition"
at the Museum of Bougon, Niort, France
* First Prize in the 1998 International Artist Contest sponsored by
the City of Strasbourg, France
* Selected for the 2002 International exhibition "Art and Poetry"
in Strasbourg, France
This interview
was broadcast in Serial No. 11 of the A Journey through Aesthetic
Realms TV program. For online viewing, please visit: http://www.godsdirectcontact.org.tw/eng/hichannel/index.htm
(French)